Cadenza Events Diary
Classical and contemporary concerts in Denmark

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10 March 2018
 
8pm
Opera House
Copenhagen

Details:
Web site
Rossini: The Barber of Seville

The Golden Age of the silent movie in the 1910s and 1920s is the main source of inspiration for prizewinning theatre director Martin Lyngbo's debut as opera director.

True to the feel of the silent movies, this production promises speed and chaos as the young count tries to capture the heart of his beloved Rosina and spirit her away from her over-ambitious guardian, Don Bartolo.

In Martin Lyngbo's interpretation, Il barbiere di Siviglia becomes a tale of empathy and humanity in an age of tyranny, where everyone has their own agenda. There will be chaos and love, vengeance and celebration, pride and shame, feast and failure accompanied by laughter, smiles, anger and irritation.
 
14 March 2018
 
8pm
Opera House
Copenhagen

Details:
Web site
Rossini: The Barber of Seville

The Golden Age of the silent movie in the 1910s and 1920s is the main source of inspiration for prizewinning theatre director Martin Lyngbo's debut as opera director.

True to the feel of the silent movies, this production promises speed and chaos as the young count tries to capture the heart of his beloved Rosina and spirit her away from her over-ambitious guardian, Don Bartolo.

In Martin Lyngbo's interpretation, Il barbiere di Siviglia becomes a tale of empathy and humanity in an age of tyranny, where everyone has their own agenda. There will be chaos and love, vengeance and celebration, pride and shame, feast and failure accompanied by laughter, smiles, anger and irritation.
 
17 March 2018
 
8pm
Opera House
Copenhagen

Details:
Web site
Rossini: The Barber of Seville

The Golden Age of the silent movie in the 1910s and 1920s is the main source of inspiration for prizewinning theatre director Martin Lyngbo's debut as opera director.

True to the feel of the silent movies, this production promises speed and chaos as the young count tries to capture the heart of his beloved Rosina and spirit her away from her over-ambitious guardian, Don Bartolo.

In Martin Lyngbo's interpretation, Il barbiere di Siviglia becomes a tale of empathy and humanity in an age of tyranny, where everyone has their own agenda. There will be chaos and love, vengeance and celebration, pride and shame, feast and failure accompanied by laughter, smiles, anger and irritation.
 
22 March 2018
 
8pm
Opera House
Copenhagen

Details:
Web site
Rossini: The Barber of Seville

The Golden Age of the silent movie in the 1910s and 1920s is the main source of inspiration for prizewinning theatre director Martin Lyngbo's debut as opera director.

True to the feel of the silent movies, this production promises speed and chaos as the young count tries to capture the heart of his beloved Rosina and spirit her away from her over-ambitious guardian, Don Bartolo.

In Martin Lyngbo's interpretation, Il barbiere di Siviglia becomes a tale of empathy and humanity in an age of tyranny, where everyone has their own agenda. There will be chaos and love, vengeance and celebration, pride and shame, feast and failure accompanied by laughter, smiles, anger and irritation.
 
23 March 2018
 
8pm
Opera House
Copenhagen

Details:
Web site
Thomas Adès: The Exterminating Angel

After a festive evening in the Opera, a group of jet setters gather for a later dinner party. But something is terribly wrong: A curse seems to have been cast on the party, making it impossible for anyone to leave the house. Soon, desperation sets in, and the dinner escalates into a nightmarish fight for survival.

The Exterminating Angel is inspired by Luis Buñuel's surrealistic cult film classic from 1962. An extra layer is added to Buñuel's universe with Thomas Adès' seductive musical universe, which abounds with sounds of musical masters of the past, from Wagner and Mussorgsky to Bartók, Nielsen, Ravel and Shostakovich and with a hint of Stravinsky's wild abandon. The piece's no fewer than twenty-two characters emphasize the immensity of its universe, set to the music of one of the most notable composers of our time.

The Exterminating Angel had its world premiere at the 2016 Salzburg Festival and is a coproduction between the Salzburg Festival, the Royal Opera House Covent Garden, the Metropolitan Opera in New York and the Royal Danish Opera.
 
28 March 2018
 
8pm
Opera House
Copenhagen

Details:
Web site
Thomas Adès: The Exterminating Angel

After a festive evening in the Opera, a group of jet setters gather for a later dinner party. But something is terribly wrong: A curse seems to have been cast on the party, making it impossible for anyone to leave the house. Soon, desperation sets in, and the dinner escalates into a nightmarish fight for survival.

The Exterminating Angel is inspired by Luis Buñuel's surrealistic cult film classic from 1962. An extra layer is added to Buñuel's universe with Thomas Adès' seductive musical universe, which abounds with sounds of musical masters of the past, from Wagner and Mussorgsky to Bartók, Nielsen, Ravel and Shostakovich and with a hint of Stravinsky's wild abandon. The piece's no fewer than twenty-two characters emphasize the immensity of its universe, set to the music of one of the most notable composers of our time.

The Exterminating Angel had its world premiere at the 2016 Salzburg Festival and is a coproduction between the Salzburg Festival, the Royal Opera House Covent Garden, the Metropolitan Opera in New York and the Royal Danish Opera.
 


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