Cadenza Events Diary
Classical and contemporary concerts

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12 March 2018
 
8pm
Tel Aviv
Israel

Details:
Web site
Verdi: Don Carlo

 
14 March 2018
 
11am
GNO Alternative Stage, Stavros Niarchos Foundation Cultural Center
Leof Andrea Siggrou 364, Kallithea
Athens
176 74
Greece

Details:
Web site
Lena Platonos: The Emperor's Nightingale

Greek National Opera
Markellos Chryssicos, conductor

Animated children's opera
 
8pm
Opera House
Copenhagen
Denmark

Details:
Web site
Rossini: The Barber of Seville

The Golden Age of the silent movie in the 1910s and 1920s is the main source of inspiration for prizewinning theatre director Martin Lyngbo's debut as opera director.

True to the feel of the silent movies, this production promises speed and chaos as the young count tries to capture the heart of his beloved Rosina and spirit her away from her over-ambitious guardian, Don Bartolo.

In Martin Lyngbo's interpretation, Il barbiere di Siviglia becomes a tale of empathy and humanity in an age of tyranny, where everyone has their own agenda. There will be chaos and love, vengeance and celebration, pride and shame, feast and failure accompanied by laughter, smiles, anger and irritation.
 
16 March 2018
 
8.30pm
GNO Alternative Stage, Stavros Niarchos Foundation Cultural Center
Leof Andrea Siggrou 364, Kallithea
Athens
176 74
Greece

Details:
Web site
Lena Platonos: The Emperor's Nightingale

Greek National Opera
Markellos Chryssicos, conductor

Animated children's opera
 
17 March 2018
 
7.30pm
Worcester Cathedral
8 College Yard
Worcester
WR1 2LA
United Kingdom

Details:
Web site
Haydn: The Creation - Worcester Festival Choral Society

 
8pm
Opera House
Copenhagen
Denmark

Details:
Web site
Rossini: The Barber of Seville

The Golden Age of the silent movie in the 1910s and 1920s is the main source of inspiration for prizewinning theatre director Martin Lyngbo's debut as opera director.

True to the feel of the silent movies, this production promises speed and chaos as the young count tries to capture the heart of his beloved Rosina and spirit her away from her over-ambitious guardian, Don Bartolo.

In Martin Lyngbo's interpretation, Il barbiere di Siviglia becomes a tale of empathy and humanity in an age of tyranny, where everyone has their own agenda. There will be chaos and love, vengeance and celebration, pride and shame, feast and failure accompanied by laughter, smiles, anger and irritation.
 
20 March 2018
 
7pm
Suntory Hall
Tokyo
Japan

Details:
Web site
Popular Series No 610

Yomiuri Nippon Symphony Orchestra
Ken-ichiro Kobayashi, conductor

Rossini: 'The Barber of Seville' Overture
Bizet: L'Arlésienne Suite No 2
Berlioz: Symphonie fantastique, Op 14

 
21 March 2018
 
2pm
Minato Mirai Hall
Yokohama
Japan

Details:
Web site
Yokohama Minato Mirai Holiday Popular Series No 102

Yomiuri Nippon Symphony Orchestra
Ken-ichiro Kobayashi, conductor

Rossini: 'The Barber of Seville' Overture
Bizet: L'Arlésienne Suite No 2
Berlioz: Symphonie fantastique, Op 14

 
6.30pm
Lithuanian National Opera and Ballet Theatre
Vilnius
Lithuania

Details:
Web site
Verdi: Don Carlo

 
22 March 2018
 
8pm
Opera House
Copenhagen
Denmark

Details:
Web site
Rossini: The Barber of Seville

The Golden Age of the silent movie in the 1910s and 1920s is the main source of inspiration for prizewinning theatre director Martin Lyngbo's debut as opera director.

True to the feel of the silent movies, this production promises speed and chaos as the young count tries to capture the heart of his beloved Rosina and spirit her away from her over-ambitious guardian, Don Bartolo.

In Martin Lyngbo's interpretation, Il barbiere di Siviglia becomes a tale of empathy and humanity in an age of tyranny, where everyone has their own agenda. There will be chaos and love, vengeance and celebration, pride and shame, feast and failure accompanied by laughter, smiles, anger and irritation.
 
23 March 2018
 
7.30pm
Brooklyn
New York
United States of America

Details:
Web site
In Context: Harold Meltzer

 
8pm
Opera House
Copenhagen
Denmark

Details:
Web site
Thomas Adès: The Exterminating Angel

After a festive evening in the Opera, a group of jet setters gather for a later dinner party. But something is terribly wrong: A curse seems to have been cast on the party, making it impossible for anyone to leave the house. Soon, desperation sets in, and the dinner escalates into a nightmarish fight for survival.

The Exterminating Angel is inspired by Luis Buñuel's surrealistic cult film classic from 1962. An extra layer is added to Buñuel's universe with Thomas Adès' seductive musical universe, which abounds with sounds of musical masters of the past, from Wagner and Mussorgsky to Bartók, Nielsen, Ravel and Shostakovich and with a hint of Stravinsky's wild abandon. The piece's no fewer than twenty-two characters emphasize the immensity of its universe, set to the music of one of the most notable composers of our time.

The Exterminating Angel had its world premiere at the 2016 Salzburg Festival and is a coproduction between the Salzburg Festival, the Royal Opera House Covent Garden, the Metropolitan Opera in New York and the Royal Danish Opera.
 
24 March 2018
 
7.30pm
Great Malvern Priory
Church Street, Malvern
Worcestershire
WR14 2AY
United Kingdom

Details:
Web site
Handel's Messiah

Malvern Festival Chorus
Richard Knight, conductor

 
25 March 2018
 
3.00pm
Huntingdon Hall
Worcester
United Kingdom

Details:
Web site
Worcester Concert Club winter season

Trio Ebano

Nicola Shorland - flute
Alison Lambert - clarinet
Hannah Wriedon - Bassoon

"Songs and whistles - past and present"

Kaspar Kummer - trio opus 32
Scott Joplin- weeping willow rag
Stravinsky - 3 pieces for solo clarinet
Part - Estlandler
Zoeller - three virtuosos
Colquhoun - Duplicity
Mozart - Divertimento no 2
Bozza - Serende en Trio
Arne - a Medley of Songs

 
28 March 2018
 
7.30pm
Milton Court Concert Hall
Guildhall School of Music and Drama, Silk Street
London
EC2Y 9BH
United Kingdom

Details:
Web site
Britten Sinfonia - Stravinsky and Mozart

Britten Sinfonia celebrates Easter with a double-bill of choral masterpieces: Stravinskyís Mass and Mozart's Missa Brevis.
 
7.30pm
Milton Court Concert Hall
Silk Street
London
EC2Y 8DS
United Kingdom

Details:
Web site
+44 (0)20 7638 8891

£15-30
Britten Sinfonia: Easter Voices

Ben Goldscheider, horn
Britten Sinfonia Voices
Eamonn Dougan, conductor

Mozart: Venite populi
Stravinsky: Fanfare for a New Theater
Mozart: Missa Brevis in F, K192
Stravinsky: Pater noster, Ave Maria
Esa-Pekka Salonen: Concert etude for solo horn
Stravinsky: Mass

The talents of the acclaimed Britten Sinfonia Voices, conducted by Eamonn Dougan, are showcased in a special Easter concert featuring two masses written 170 years apart. Stravinsky considered function as important as form and composed his Mass, which many consider his finest religious work, for church use, writing 'religious music without religion is almost always vulgar'. The Mass features gorgeous harmonic colours, animating the text of the Roman Catholic liturgy with voice, wind and brass.

In the run-up to writing his own Mass, Stravinsky stumbled across a handful of Mozartís masses in a Los Angeles bookshop; Britten Sinfoniaís Easter celebration is completed by Mozartís beautiful Missa Brevis.
 
8pm
Opera House
Copenhagen
Denmark

Details:
Web site
Thomas Adès: The Exterminating Angel

After a festive evening in the Opera, a group of jet setters gather for a later dinner party. But something is terribly wrong: A curse seems to have been cast on the party, making it impossible for anyone to leave the house. Soon, desperation sets in, and the dinner escalates into a nightmarish fight for survival.

The Exterminating Angel is inspired by Luis Buñuel's surrealistic cult film classic from 1962. An extra layer is added to Buñuel's universe with Thomas Adès' seductive musical universe, which abounds with sounds of musical masters of the past, from Wagner and Mussorgsky to Bartók, Nielsen, Ravel and Shostakovich and with a hint of Stravinsky's wild abandon. The piece's no fewer than twenty-two characters emphasize the immensity of its universe, set to the music of one of the most notable composers of our time.

The Exterminating Angel had its world premiere at the 2016 Salzburg Festival and is a coproduction between the Salzburg Festival, the Royal Opera House Covent Garden, the Metropolitan Opera in New York and the Royal Danish Opera.
 
1 April 2018
 
11am
GNO Alternative Stage, Stavros Niarchos Foundation Cultural Center
Leof Andrea Siggrou 364, Kallithea
Athens
176 74
Greece

Details:
Web site
Lena Platonos: The Emperor's Nightingale

Greek National Opera
Markellos Chryssicos, conductor

Animated children's opera
 
4 April 2018
 
8pm
Opera House
Copenhagen
Denmark

Details:
Web site
Puccini: Madama Butterfly

When young Japanese girl Cio-Cio San marries American lieutenant B F Pinkerton, she is convinced that it is true love. Therefore she does not worry when he leaves Japan to return to America because, naturally, he will return to her.

But to Pinkerton, his Japanese marriage was merely a way to pass the time, and he realizes too late that playing with a young, impressionable heart can have dire consequences.

Lars Kaalund's romantic, critically acclaimed interpretation of Puccini's tragic drama is a tribute to Cio-Cio San, who insists on waiting for her beloved and continues to believe in her love, even when everything looks hopeless. The set designer, Christian Friedländer, and the artist and costume designer Pernille Egeskov have created an aesthetically beautiful and simple setting, mirroring the Western world's dream of the Far East with sweeping silk kimonos inspired by Hokusai's woodcut The Great Wave off Kanagawa.
 
6 April 2018
 
8pm
Opera House
Copenhagen
Denmark

Details:
Web site
Rossini: The Barber of Seville

The Golden Age of the silent movie in the 1910s and 1920s is the main source of inspiration for prizewinning theatre director Martin Lyngbo's debut as opera director.

True to the feel of the silent movies, this production promises speed and chaos as the young count tries to capture the heart of his beloved Rosina and spirit her away from her over-ambitious guardian, Don Bartolo.

In Martin Lyngbo's interpretation, Il barbiere di Siviglia becomes a tale of empathy and humanity in an age of tyranny, where everyone has their own agenda. There will be chaos and love, vengeance and celebration, pride and shame, feast and failure accompanied by laughter, smiles, anger and irritation.
 


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