In 1998, Voces Sacrae undertook a very successful tour to Sydney, Australia. The choir has been working with the repertoire promotion department of Oxford University Press for some time now and this tour was undertaken in association with them.

In Australia, Voces Sacrae gave the world premier performance of Michael Finnissy's 'Seven Sacred Motets' (the first time that the seven motets have been performed as a set). This performance was given to an audience of Australian composers, performers and publishers.

In 1999 he returned to Buenos Aires, where he began his bandoneon studies with Master Néstor Marconi, and also founded together with Alejo Caramés the Quinteto Tipico Buenos Aires, which he joins as pianist, arranger and co-director. Since his return to Argentina, he has had an intense activity including performances at the Salón Dorado (Casa de la Cultura), Café Tortoni, recitals on the FM Radio 2x4, Sólo Tango TV, Teatro San Martin, Café Homero, Club del vino, Esquina Homero Manzi, Plaza Dorrego (San Telmo), Buenos Aires Tango Festival, as well as in private parties and events, accompanying singers as Raúl Lavie, Susana Rinaldi, Maria volonte, Jairo, Cecilia Milone, Dany Martin, among others.

In 2002, Philip began his work experience at The Amato Opera Theatre as an assistant répétiteur and studied with Anthony Amato. This is where he participated in performances of Madama Butterfly, Cavalleria Rusticana, I Pagliacci, Cosi fan tutte, Hänsel und Gretel, Die Zauberflote, Andrea Chenier, Il Barbiere di Siviglia, La Traviata, and HMS Pinafore.

In 2003 Philip entered the Royal College of Music, London for the Bachelor of Music (with Honours) degree course and is in his third year. He studies piano with Ruth Nye, the famous pupil of Claudio Arrau, passing on the musical lineage since Beethoven. Philip has also studied Fortepiano with Simon Nicholls and Harpsichord with Robert Woolley. He has an extensive song and operatic repertoire and has worked with such coaches as Gerald Martin-Moore (National Opera Studio/English National Opera/Royal Opera House), Richard Jackson, Dr. Jeanette Favaro-Reuter (Hochschule für Musik und Theater (‘Felix Mendelssohn-Bartholdy’, Leipzig), Patric Schmid (Opera Rara) and Audrey Hyland (Royal Academy of Music/Royal College of Music). At the RCM, Philip has worked with such professors as Neil Mackie CBE, Peter Savidge, Graeme Broadbent, Roderick Earle, Russell Smythe, Sarah Walker, Ryland Davies (with whom he has worked extensively), Timothy Evans-Jones, Elizabeth Robson and Marie McLaughlin. Philip has participated in master classes with Roger Vignoles, Stephen Varcoe, Lewis Kaplan (Juilliard School), Lynsey Marsh (Halle Orchestra), Donald Maxwell (Director of the National Opera Studio), Mark Tucker, Dennis O’Neill, Itzhak Rashkovsky and Ashley Stafford (Oxford University/Royal College of Music). Philip has, on many occasions, acted as rehearsal pianist for major chorus rehearsals, notable ones are in 2003, when he played for the rehearsals of the all Brahms concert with Robert Chilcott and in 2004 the Mahler Symphony No. 2 with Terry Edwards and Bernard Haitink also in 2005 on Bruckner's Te Deum. Philip, on occasion as a freelance accompanist, has accompanied for rehearsals outside of college, notable ones include rehearsals of Ernani for Opera Integra (working with Brian Galloway). Also Philip has accompanied for rehearsals of Haydn's Nelson Mass for Chorus Mundi.

Vosbein has received performances at music festivals throughout the United States and Canada. During 1998 and 1999 he was awarded summer residencies at La Cité Internationale des Arts in Paris, where he composed a concerto for violin and orchestra one year and a sonata for solo piano the next. In the fall of 2001 he was awarded a fellowship at University College in Oxford, to compose a concerto for cello and orchestra.

Since January of 1996 Vosbein has been teaching music composition and jazz studies at Washington and Lee University. He received his Doctorate in composition from the Cleveland Institute of Music, where he was a student of Donald Erb, and where he taught in the theory and composition departments.

In addition to his activities as a composer and orchestral/chamber music bassist as well as soloist, Mr. Waddle now has an active career as a conductor. After a number of Guest Conducting Appearances (most notably at the Julliard School in Lincoln Center in Feb. of 1998) he was named Music Director of the Austin Philharmonic as of the 1999-2000 season. He has been Principal Guest Conductor of The Contemporary Orchestra Of Cleveland since 1997.

Did not compose in any meaningful way from 20 years of age to 48 years of age. Since have produced numerous works ranging from Solo instrumental works to works for Full Orchestre, Choir, soloist. .. .. .. .. ..

Barely a year had passed when Waller gained the attention of the Conductor and Music Director of a significant metropolitan orchestra, who expressed that in his 30 years on the podium, and in the classroom, he had never before encountered such native talent in someone who was self-taught. He subsequently encouraged Waller to enroll in a degree program. He was immediately placed in the Music Department's final semester courses.  Soon after, the maestro invited him to become his sole private pupil, gratis, and hired him as Conductor's Assistant with the symphony. A solid friendship quickly grew between the maestro and his pupil, based on mutual esteem and a deep love of music, and Waller found himself taken into the warmth of his mentor's family. "My mentor was a genius, and that's a word I don't toss around because it is so over-used nowadays. Through his integrity, his passionate devotion to music and his selfless, sensitive guidance of my musical evolution, I acquired more education than I could at any university. He taught me more than music as a textbook subject -- he taught me about life, music as life, art as life, and myself as an artist. He took what I instinctively knew and gave it a name. I'm reminded of the scene in "The Miracle Worker" when Annie Sullivan finally teaches Helen Keller the word for 'water'. It is not an overstatement for me to say, that is what my mentor did for me, only with music."

Waller's music, which centers on harmony and classical symmetry, is made up of memorable melodies and playful themes  drawn from the vitality and simplicity of folk music. His slow movements are tender, sometimes plaintive and full of longing, while his faster movements are almost childlike, though never boisterous.  More somber moments evoke deep, mystical feelings and, although one can sense his affinity with the Classical era, one may also hear the sustained chords, pedal tones, and progressions he assimilated through the Rock and Folk music of the Sixties and Seventies. "The Beatles, Donovan, Joni Mitchell, the Electric Light Orchestra, the Alan Parsons Project, and Rick Wakeman all influenced me. My path as a musician has been a steady, straightforward climb from the music of my youth to what I am composing today. Some have teasingly called me a mystic, but I believe that to be an artist in any medium one must be at least part mystic, or magician, or alchemist, or something, because we create sense, order, and beauty from a sea of chaos. I live with one foot in one world and one foot in quite another. I'm not always sure which is the most solid and I think this shows in my music."

His television drama work includes 'Proof' - the gripping 4 x 1 hr crime drama series which to date has broadcast in more than one hundred countries worldwide, 'Rebellion'- the 3 x 1 hr series which tells the story of the 1798 Irish Rebellion and the BAFTA award winning BBC TV series 'Custer's Last Standup'. He has scored numerous Short Films including the awarding winning 'Prey Alone' and 'Venom'.

I am also a trained administrator and can provide a fast and efficient typing service for programme notes, books, dissertations, etc. I can also do any research that may be required via the internet.

I can also act as a "virtual assistant" - working via new technology to give an efficient "personal assistant" service to musicians.

David Walters serves as Flute Adjudicator for The Florida Flute Association, Florida Federation of Music Clubs and other local and state level music festivals. Mr. Walters serves as Music Consultant in licensing background music for local/regional/national TV, radio and Film; presents lectures on issues in the music industry; presents solo and chamber music recitals; and has publsihed music reviews of flute chamber music in the NFMC Magazine. Currently, David Walters is Music Consultant in Flute for the Broward County, Florida Schools. David has peformed ath the National Flute Association Convention and the Florida Flute Association Convention.

A year's work experience followed at Wells Cathedral school, playing for instrumentalists and singers. Stephen appeared on regional t.v. and also on Classic FM in a broadcast of the Audi Junior Musician of the Year competition.

Stephen is currently developing his career in the Midlands and London, performing as a soloist and accompanist. Last September he was a finalist in the Birmingham accompanist of the Year competition.