His repertoire embraces both popular and unusual works, including much contemporary, English, and light music. As a pianist, Iain has performed at the Wigmore Hall, Queen Elizabeth Hall, the Purcell Room, the Proms 2005 and 2004, the Royal Opera House, Harewood House, St David's Hall, Cardiff, and in Japan, South Africa, and Jordan. He works with many of the country's leading singers and conductors, including John Mark Ainsley, David Wilson-Johnson, Lesley Garrett, the Royal Ballet, Sir Simon Rattle, Sir Colin Davis and Thomas Ŕdes. In 2001, he won the Megan Foster Accompanist Prize in the Maggie Teyte Competition. Iain is the accompanist for the London Philharmonic Choir, working regularly with Kurt Masur and Mark Elder.

Iain also performs extensively as an organist, and was Organ Scholar at St John's College, Cambridge University. With the College Choir he toured extensively, gave regular broadcasts on BBC Radio Three and recorded four CD's on the Naxos and Nimbus labels, including an award-winning disc of Howells. He was previously Organ Scholar at St George's Chapel, Windsor Castle where he played for numerous Royal occasions. Iain has given solo organ recitals in Reykyavik, Iceland, the Bridgewater Hall, Manchester, Westminster and Gloucester Cathedrals and has performed in Malaysia, Latvia, Sweden, France, Hungary, the Czech Republic, St Paul's Cathedral, the Royal Albert Hall and Birmingham Symphony Hall. With the BBC Singers he has performed in Holland and the Spitalfields Festival, and recorded music by Duruflé, Maxwell Davies, Tippett, and Judith Weir.

Concerts have included for NSPCC concerts and have been used in school concerts and many formal concerts.

His output has been varied, composing in many genres. He has composed music for the stage, film, tv, and the concert hall and his music has been broadcast and comercially recorded.

In 1998 he was made Fellow of the National College Of Music and Arts.

He composes music for orchestra, chamber music, opera and drama.

Master in Drama Studies (Universidad del desarrollo - Chile)

Future work includes additional performances of Philip Glass' 75-minute music-theatre piece "The State of the Tibetan Nation — A Madrigal Opera" and the premiere of Amnon Wolman's hour-long version of his 11-hour techno-dance house-music epic "The Andy Warhol Diaries." Upcoming recording projects include a CD of violin|viola and keyboard works by Alan Hovhaness (2001 release), the world premiere recording of Morton Feldman's 2CD-length 1985 work "Violin and String Quartet" (2001 release), the first available recording of music by Bob Shechtman, a CD of piano and violin works by Roelof Bijkerk, a full-length CD of three unrecorded early works by Michael Nyman, and a CD spotlighting short works by various composers.

Fong has Bachelors and Masters degrees from Northwestern University, where she graduated Pi Kappa Lambda and was awarded the honorary title "Eckstein Scholar." Her principle violin teachers were Blair Milton, Myron Kartman, and Donna Schaff. She complemented special studies in orchestral music with Samuel Magad, Rubin Gonzales, Francis Akos, Charlie Pikler, Blair Milton, and Edgar Muenzer with chamber music coachings by Gerardo Ribiero, Donald Owens, and Ray Still. Fong has held positions with the Florida Philharmonic and the Civic Orchestra of Chicago. As soloist, Fong has appeared with the Grand Rapids Symphony and Grand Valley State University Orchestra, and as rehearsal soloist with the Civic Orchestra of Chicago.

In Canada, as a Opera Singer, he was featured in the roles of Nadir in Les Pecheurs de Perles by Bizet, Pinkerton in Madama Butterfly by Puccina, Arturo in I Puritani by Bellini, Des Grieux in Manon by Massenet and Pollione in Norma by Bellini.

Nihal has also been the Tenor Soloist in The Seven Last Words of Christ by Dubois and Stabat Mater by Rossini. He has also performed several solo operatic recitals in Canada and the United States.

Mr. Fredrickson has been a guest artist with such orchestras as the Seattle, Omaha, Richmond and Baton Rouge Symphonies, the New York Chamber and Washington Chamber Symphonies. He has toured twice in Italy as soloist with the Orchestra of the North Carolina School of the Arts where he also taught in the summer program. He has toured in Europe and appeared several times at the Kennedy Center to great critical acclaim with the Washington Chamber Symphony. He also toured in the United States with Mitch Miller and his orchestra performing the Paganini Moses Fantasy. In recital he has been heard in many venues in the United Staes including New York, Seattle and Washington, DC, and in Italy. His festival engaements include the New Hampshire White Mountain Festival, Aspen, the Seattle Chamber Music Festival and the Fredericksburg Festival of the Arts.

Chamber music has always been a special passion for Fredrickson. He has appeared with such groups and artists as the Muir String Quartet, Copenhagen String Trio, Philadelphia String Quartet, Lyric Piano Quartet, Bargemusic, Yo-Yo Ma, Carol Wincenc, Heidi Lehwalder, Christopher O'Riley, Anton Nel and Anne-Maire McDermott.

The music of Fortunat Frölich is committed to neither a particular school or style. Using a broad palette of musical and stylistic methods, reflecting his personal musical development, his compositions leads one through various categories and a wide variety of musical cultures.