Isaac’s specialist field is in contemporary music and the use of live electronics. He has won prices at renowned contemporary music competitions such as the International Gaudeamus Interpreters Competition 2001 in The Netherlands and the Krzysztof Penderecki International Competition of Contemporary Music in Poland. As a soloist, Isaac has given a variety of performances in The Netherlands, Germany, England, Belgium, Ireland, Poland, Norway, Switzerland, Italy, Mexico and Venezuela. He has participated in varied recording productions, such as radio broadcast for the Hessen’s radio (HR4) in Germany, the company Shell (Mexico/ The Netherlands), Teldec (Germany), blockflute samplers in the USA, and his own music together with pianist/composer Elik Alvarez (Venezuela).

He has participated in several International Music Festivals such as Hessen’s Festival (Korbach-Germany, 1997), Second International Blockflute Festival (Amsterdam, 1998), From Distant Lands (London, 1999), Festival Internacional de Puebla (Mexico, 2000), Ultima Festival (Oslo, 2001), Music for Galway (Ireland, 2002), Gaudeamus Music Week (Amsterdam, 2002), Spazio Musica (Cagliari, 2002), International Youth Music Forum (Kiev, 2003), Time of Music Festival (Finland, 2003).

His music has been performed and broadcast throughout Europe and the USA and as far afield as Kuwait and Ho Chi Minh City. His works have been presented at many festivals including Belfast, Brighton, Cheltenham, Copenhagen, Glasgow Mayfest, Huddersfield, Kings Lynn, Machynlleth, Northern Lights (in Inverness), St. Magnus (in Orkney), Sounds New (in Canterbury), ThreeTwo (in New York), the Gegenwelten Festival (in Heidelberg) as well as Spitalfields and Meltdown in London. He has been commissioned by, among others, the East of England Orchestra, New Macnaghten Concerts, the Tate Gallery, and ensembles Tapestry, I Fagiolini, the Brindisi String Quartet, the Delta Saxophone Quartet and the Orlando Consort; more recently A Vision of Aeroplanes was premiered by the BBC Singers

As Associate Concertmaster of the Ann Arbor Symphony and substitute violinist with the Detroit Symphony Orchestra Adrienne performs regularly on the symphonic stage. Recently Adrienne participated in an Eastern European tour as a member of the Schleswig-Holstein Musik Festival Kammerorchester under the direction of Heinrich Schiff, highlighted by an appearance at the prestigious Prague Spring Festival.

Since her solo debut at age 13, Adrienne has performed as soloist with many of Southeastern Michigan’s orchestras, including the Detroit Symphony Orchestra on two separate occasions. However, her passion for recitals and chamber music has lead her to collaborate with many of the DSO’s members as well as Pinchas Zukerman. Notably, Adrienne was the Grand Prize winner of both the 1998 and 1999 American String Teachers’ Association Michigan Chamber Music Festival Competition which lead to many subsequent performances across Michigan including a performance at Rackham Auditorium presented by the University Musical Society of Ann Arbor. Also an avid performer of music from the Baroque, Adrienne has performed and coached with members of Cleveland’s Apollo’s Fire, and Edward Parmentier.

Abigail has taken part in solo masterclasses with Hubert Käppel, Alirio Diaz, Julian Byzantine, Berta Rojas and in ensemble workshops with John Williams. She has been a finalist in the South East Music Schemes' Musicians' Platform and String Semi-Finalist in the Royal Overseas League Music Competition. Abigail was also chosen for the prestigious Park Lane Group Young Concert Artists Series at The Purcell Room.

Abigail has performed as a soloist in a wide variety of venues up and down the country including The Purcell Room, St. Martin-in-the-Fields, St. James's Church Piccadilly, Barbican foyer, Brighton Chapel Royal, Conway Hall, Queen Elizabeth Theatre, Bristol and in music clubs, festivals and guitar societies. In recent years she has performed Rodrigo's 'Concierto de Aranjuez' with orchestras in London and has also toured with two opera groups.

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Paul studied from 1986 to 1991 with Renna Kellaway at the Royal Northern College of Music, where he was awarded all the College's major prizes. He has won numerous other awards,including scholarships from the Countess of Munster and Ian Fleming Trusts, and prizes in many international competitions, including Dudley, Terni (Italy)and Glasgow.

He has performed at many of Britain's major concert halls, including the Royal Albert Hall (London), Symphony Hall (Birmingham), Bridgewater Hall (Manchester) and the Glasgow Royal Concert Hall. He has played concertos with orchestras including the BBC Philharmonic, London Mozart Players, Worthing Symphony, Lakeland Sinfonia and City of Glasgow Philharmonic. Conductors he has worked with include Yan Pascal Tortelier, Leonard Slatkin, Richard Hickox, Martyn Brabbins, James Loughran and Barry Wordsworth. Paul is equally at home in solo and chamber music recitals, having appeared at venues including the Wigmore Hall, Cheltenham International Festival and Lake District Summer Music. He took the solo piano role in the BBC Phiharmonic's 1995 Proms performance of Stravinsky's Petrushka, where his performance was hailed by the press as 'dazzling'.

Maia received a Bachelor of Arts with honors in May 2003 from Yale University, where she was awarded the Master’s Prize for her contribution to the musical life of her college. While an undergraduate, she served as the youngest member of the New Haven Symphony Orchestra, in which she held the Jeanet S. Curtis Chair. She spent her junior year at the Paris Conservatoire as a scholarship student of Gérard Poulet.

Maia is committed to bringing not only artistic integrity but also relevancy to art music in contemporary society. She recently gave the U.S. premier of Constantinidis’ “Folk Suite” and the West Coast premier of Periklys Koukous’ Violin Sonata in San José. At the 2004 Los Angles Philharmonic International Gala, she performed music of Piazzolla alongside her teacher and Philharmonic Concertmaster Martin Chalifour. She served as concertmaster of and soloist with the Timothy Dwight Chamber Players, Yale’s contemporary music ensemble. For two years she hosted her own radio program, Listening to the Guys Who Invented Music, on WYBC New Haven, AM 1340. An avid chamber musician, Maia will perform sextets with the Ysaye String Quartet when the group performs in Los Angeles this October. As first violinist of the Sonus Quartet in 2003 – 2004, she participated in the Juilliard Quartet Seminar, the Yehudi Menuhin Emerging Artists Seminar, and the Banff Centre Quartet Residency. Other chamber music performances have been broadcast on National Public Radio, KCSN, KKGO, and KUSC. She is also developing a taste for early music, performing as baroque violinist with Los Angeles’ early music ensemble Musica Angelica and as leader of the Thornton Early Music Ensemble. She was recently awarded a generous scholarship to support her studies with renowned baroque violinist Elizabeth Blumenstock.