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Cadenza Events Diary Classical and contemporary concerts |
Concerts in: Austria Belgium Brazil Croatia France Hungary Italy Netherlands Norway Poland South Korea Spain United Kingdom United States of America
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| 30 October 2025 until 2 November 2025 | |
| 남구 48534 South Korea Details: 손재영 Web site | busan choral festival&competiton |
| 30 October 2025 until 2 November 2025 | |
| 남구 48534 South Korea Details: 전혜진 Web site | Busan Choral Festival & Competition The Busan Choral Festival & Competition (BCFC) invites choirs and composers from around the world to showcase their talent on a global stage! 🎼 International Choral Composition Competition – A prestigious opportunity for composers to have their works performed by outstanding choirs. 🎤 World-Class Choral Competition – Experience the harmony of voices as choirs from diverse cultures compete and connect through music. 📅 October 30 – November 2, 2025 | Busan, South Korea Don't miss this chance to be part of one of Asia’s leading choral festivals! Composition Competition Regulations (Currency: KRW) General Regulations Throughout its festival and competition history, Busan Choral has fostered cultural exchange and promoted high quality of choral music by attracting notable artists, conductors, and composers to one of Asia’s top choral festivals. The Busan Choral Composition Competition seeks to engage with aspiring young composers and to encourage the creation and performance of new works written for the choral music genre. The 1st winning work will be premiered at the 2025 Busan Choral Festival & Competition during the week of October 30- November 2nd, 2025. Eligibility 1) Composer must be born between MAY 31, 2005 and MAY 31, 1985. (exceptions may be considered under the BCFC committee's review.) 2) Compositions must not have been previously published or awarded in previous composition competitions and never publicly performed. Length and Format 1) 3-10 minutes in duration 2) Piece must be for unaccompanied, equal or mixed voices choir. 3) Smaller, portable percussion instruments are allowed. (Xylophone, vibraphone and timpani not allowed). 4) Text can be chosen from Latin, English or Korean. If another language is chosen, a detailed English synopsis and pronunciation must be included in the score. Application (May 31, 2025 Deadline / Korea Standard Time) 1) Complete Online Application Form (http://www.busanchoral.org/bcfc/competition/c_apply.asp) 2) Résumé/CV (*.doc / *.docx) 3) Copy of passport or ID Card with date of birth in JPEG format 4) Score in PDF format 5) English synopsis and pronunciation 6) Midi recording (by computer software) in MP3 format 7) 3 original copies of the score mailed to the Busan Choral office by May 31, 2025 (postmark deadline). Submitted original copies of scores will be used only for judging so there MUST be No Personal Information Included on the score for a fair evaluation. Scores submitted to the Busan Choral office will not be returned (Address: Busan Choral Festival & Competition / Busan Cultural Center, UN pyeonghwa-ro 76-1, Nam-gu, Busan, South Korea 48534). 8) Only one piece per person acceptable Application Fee 1) Free Results 1) Winners will be announced on July 20, 2025 on BCFC Website. 2) Composition will be judged by a panel of international jury. The jury's decisions are final and cannot be appealed. Awards 1) First Prize: ￦3,000,000 *Only the top prize winning work will be premiered at the 2025 BCFC in the week of October 30-November 2, 2025. 2) Second Prize: ￦2,000,000 3) Third Prize: ￦1,000,000 Publication and Rights 1) Busan Choral Festival & Competition and the Korea Choral Institute will hold publication rights of the score. Busan Choral Festival & Competition will hold performance and recording rights for up to two years following the results of the competition. This will be negotiated between Busan Choral and the composer. 2) Copyright will be retained by the composer . 3) The winning work cannot be submitted for future composition competitions. Deadline 1) Online Application: By May 31, 2025 2) Result Announcement: On July 20, 2025 |
| 6 November 2025 until 10 November 2025 | |
| Vienna Austria Details: Web site | Wien Music Festival International festival of choirs and orchestras in Vienna (Austria) VIENNA - one of the greatest metropolises of the world There are few cities with as wide a cultural offer as that of Vienna which includes the Vienna Philharmonic, Vienna Boys' Choir, Vienna State Opera, and countless museums. The city also boasts astounding architecture with a plethora of historic buildings, eg the St Stephen's Cathedral built in the 12th century and the baroque Schönbrunn Palace. The vicinities of Vienna are also attractive to visitors. There are the Wachau valley on the Danube river and the Benedictine Melk Abbey. For many people Vienna is the most important music center of Europe where the famous Wien Music Festival takes place. |
| 15 November 2025 | |
| 6pm First Church in Cambridge 11 Garden Street Massachusetts 02138 United States of America Details: Web site | Masterclass with British cellist Alexander Baillie Masterclass with Cellist Alexander Baillie Free and open masterclass with world-renowned British cellist Alexander Baillie. |
| 14 November 2025 until 15 November 2025 | |
| 7.30pm Smith Square Hall London SW1P 3HA London SW1P£HA United Kingdom Details: Holy Trinity Church, Sloane Square, Web site | The Passing of the Year |
| 14 November 2025 until 15 November 2025 | |
| 7.30pm Smith Square Hall Smith Square London SW1P 3HA United Kingdom Details: Holy Trinity Church, Sloane Square, Web site | Fanfares and Flourishse |
| 10 October 2025 until 1 November 2025 | |
| 8.pm American Contemporary Ballet at Bank of America Plaza 333 S. Hope St., Suite C-150 Los Angeles 90071 United States of America Details: Alex Lusaka Web site +1213 304 3408 $65-$140 | Death and the Maiden with Burlesque: Variation IX DEATH COMES FOR US ALL. THIS OCTOBER. ACB presents Death and the Maiden with Burlesque: Variation IX The annual October start of American Contemporary Ballet’s performance season has become an unmissable way for the culturally inclined to celebrate Halloween. The company opens its 14th season with two mysterious new ballets. When Franz Schubert realized his death from syphilis was imminent he created one of the most moving meditations on death — and greatest pieces of music — ever written. Haunting, otherworldly, and seductive, it’s as powerful today as when it was created. ACB Director Lincoln Jones sets his ballet Death and the Maiden to a live performance of the composer’s memento mori, complete with opera singers and an eerie staging in which characters appear to levitate and disappear into darkness. The title of the piece is a motif from Renaissance art symbolizing the idea that no matter how young and beautiful you are, death can come at any time. It’s perhaps a fitting (if not somewhat chilling) reminder for a town that can be fixated on those attributes. “I love Halloween, but I never felt it went far enough,” says Jones. Once you’ve outgrown jump scares, there doesn't seem to be a way to revel in the mysteries and beauty of darkness.” Death and the Maiden is presented with Burlesque: Variation IX, a premiere that takes audiences further down the rabbit hole opened by last October’s Burlesque. Death and the Maiden is danced to live performances of Franz Schubert's Der Tod und Das Madchen, and vocal performances of several of his lieder: Du bist die Ruh, D.776 Gretchen am Spinnrade, D.118 String Quartet No. 14 in D Minor (Der Tod und das Mädchen), D.810 -Andante con moto -Scherzo.Allegro molto - Trio Presto -Allegro -Der Tod und das Mädchen, D.531 Burlesque: Variation IX is danced to live performances of several George Frederic Handle pieces, performed on harpsichord: -Suite for Piano No. 7 in G Minor HWV 432: VI. Passacaille -Sarabande Suite No. 4 in D Minor HMV 437 -“Lascia ch’io pianga” HWV 7 |
| 16 November 2025 until 27 May 2029 | |
| Oslo 1161 Norway Details: Chana Web site 41771285 | Chana I need to offer for them the likelihood to create obtainable slots that they will sell to others. There are other locations all through the electrical system where conductor/metallic contact is a distinct risk and a security hazard. Unfortunately, the underlying reasons for too many vehicles in a single place at one time are extra sophisticated. Assuming construction, accidents, and stalled vehicles aren't to blame, it is probably resulting from more automobiles entering the freeway than leaving it. It is simple to imagine building, an accident, or a cop giving a site visitors ticket causing congestion -- drivers decelerate either to alter lanes or have interaction in a little bit of rubbernecking as they attempt to see what occurred. Road work might shut down one or more lanes, requiring drivers to shift over into open however crowded lanes. Accidents and breakdowns, road construction and restore, and harsh weather circumstances are all thought-about visitors disturbances. Nobody format is used each time, and codecs are sometimes deviated from when certain pen spinners write out breakdowns. I need to offer for them the likelihood to create obtainable slots that they will sell to others. There are other locations all through the electrical system where conductor/metallic contact is a distinct risk and a security hazard. Unfortunately, the underlying reasons for too many vehicles in a single place at one time are extra sophisticated. Assuming construction, accidents, and stalled vehicles aren't to blame, it is probably resulting from more automobiles entering the freeway than leaving it. It is simple to imagine building, an accident, or a cop giving a site visitors ticket causing congestion -- drivers decelerate either to alter lanes or have interaction in a little bit of rubbernecking as they attempt to see what occurred. Road work might shut down one or more lanes, requiring drivers to shift over into open however crowded lanes. Accidents and breakdowns, road construction and restore, and harsh weather circumstances are all thought-about visitors disturbances. Nobody format is used each time, and codecs are sometimes deviated from when certain pen spinners write out breakdowns. I need to offer for them the likelihood to create obtainable slots that they will sell to others. There are other locations all through the electrical system where conductor/metallic contact is a distinct risk and a security hazard. Unfortunately, the underlying reasons for too many vehicles in a single place at one time are extra sophisticated. Assuming construction, accidents, and stalled vehicles aren't to blame, it is probably resulting from more automobiles entering the freeway than leaving it. It is simple to imagine building, an accident, or a cop giving a site visitors ticket causing congestion -- drivers decelerate either to alter lanes or have interaction in a little bit of rubbernecking as they attempt to see what occurred. Road work might shut down one or more lanes, requiring drivers to shift over into open however crowded lanes. Accidents and breakdowns, road construction and restore, and harsh weather circumstances are all thought-about visitors disturbances. Nobody format is used each time, and codecs are sometimes deviated from when certain pen spinners write out breakdowns. |
| 9 November 2025 | |
| 3.pm Huntingdon Hall Chapel Walk Worcester Worcestershire WR1 2ES United Kingdom Details: Web site | Winter series - 2025/2026 Charles Owen - piano Maurice Ravel - Pavane pour une infante defunte Maurice Ravel - Valses nobles et sentimentales Robert Schumann - Carnaval op 9 Franz Schubert - Allegretto in C minor D 915 Franz Schubert - Wanderer Fantasie D 760 |
| 22 November 2025 | |
| 7.30pm Worcester Cathedral College Yard Worcester WR1 2LA United Kingdom Details: Web site | Duruflé Requiem / Elgar Enigma Variations |
| 7.30pm Temple Church Temple London EC4Y 7BB United Kingdom Details: Web site | Choral music of the feathered variety, including a special choral arrangement of The Lark Ascending |
| 9 November 2025 | |
| 7.30pm Weill Recital Hall 154 West 57th Street New York 10019 United States of America Details: Web site | Balázs bridges classical tradition with elements of jazz and world music. |
| 12 November 2025 | |
| 7.30pm Malvern Theatres Grange Road, Malvern Worcestershire WR14 3HB United Kingdom Details: Web site | English Symphony Orchestra: Mischief in Music - Works by Haydn, Weill, Schulhoff and Milhaud |
| 8 November 2025 | |
| 4.pm Brick Church 1140 Park Avenue New York, NY 10128 United States of America Details: Web site | The Dessoff Choirs presents Resilience and Revelation: Hailstork, Howells and Leon |
| 7.00pm Hardware Gallery 154 Chambers Street New York City 10007 United States of America Details: Gene Pritsker Web site 6465229442 $20 | Eclectic Virtuosi - Oren Fader Oren Fader, guitar Lish Lindsey, piccolo / flute Kitty Brazelton, voice Composers Concordance On Sat., Nov. 8 at 7pm, Composers Concordance continues its 42nd season with Eclectic Virtuoso, spotlighting master guitarist Oren Fader, joined by Lish Lindsay (flute) and Kitty Brazelton (voice). The concert features premieres by Brazelton, Cortes, Pritsker, Soldier, and more, alongside live video art by Lisa Barcy, Graham Elliot, Carmen Kordas, and Lara St. John. Expect bold sounds, vivid visuals, and Fader’s stunning artistry. Live-streamed on Facebook. |
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